Students19

• Glen Bourgeois“"Le mai d'amour": nationalist messaging in Monique Leyrac chante Nelligan”2026 · McGill University · master's
• Maryse Gagnon-Legault“Hero, priest, sorcerer: The concerto soloist as musical and metaphysical construct in the early 19th century”2026 · McGill University · doctoral
• Zoey Cochran“Everyday resistance against contested foreign rule: operatic adaptation in viceregal Naples (1696-1702)”2025 · McGill University · doctoral
• Shanti Nachtergaele“A sociomaterial history of the double bass(ist), 1760–1890”2024 · McGill University · doctoral
• Trevor Penoyer-Kulin“A dialectical study of opérette: 1854-1919”2024 · McGill University · doctoral
• Christina Colanduoni“Representations of blindness in nineteenth-century opera”2022 · McGill University · master's
• Breanna Stewart““Qui reste fidèle?”: Tradition and Independence in Henri Dutilleux's First Symphony (1951)”2021 · McGill University · master's
• Paul Bazin“La pansonorité d'Ivan Wyschnegradsky et son héritage”2020 · McGill University · doctoral
• Leah Batstone“Mahler, Nietzsche and the Pernerstorfer Circle: Philosophical resonances in the Wunderhorn symphonies”2019 · McGill University · doctoral
• Matthew Timmermans“The diva dilemma: A comparative analysis of aging on the operatic stage”2018 · McGill University · master's
• Adalyat Issiyeva“Russian orientalism: from ethnography to art song in nineteenth-century music”2014 · McGill University · doctoral
• Kate Espasandin“Musical modernism at the people's theatre: Arthur Honegger and René Morax's «Judith» at the Théâtre du Jorat”2013 · McGill University · master's
• Kimberly White“The cantatrice and the profession of singing at the Paris Opéra and Opéra Comique, 1830-1848”2013 · McGill University · doctoral
• Colette Simonot“Unraveling voices of fear: Hysteria in Francis Poulenc's «Dialogues des Carmélites»”2011 · McGill University · doctoral
• Sarah Gutsche-Miller“Pantomime-Ballet on the music-hall stage: The popularisation of classical ballet in fin-de-siècle Paris”2010 · McGill University · doctoral
• Andrew Deruchie“The French symphony at the fin de siècle style, culture, and the symphonic tradition.”2009 · McGill University · doctoral
• Nancy Berman“Primitivism and the Parisian avant-garde, 1910-1925”2001 · McGill University · doctoral
• Elizabeth Aileen Carmen Morrison“The dead/ly feminine : violence and eroticism in three expressionist operas”2001 · McGill University · doctoral
• Dorota Zakrzewska“Alienation and powerlessness : Adam Mickiewicz's Ballady and Chopin's Ballades”1998 · McGill University · master's